Through repetition and variation in the shape of a frame, a void is redrawn; one that without initial attributes, becomes an architectural space full of possibility. A space, now, that lends itself to the interpretation of the ritual that make up the choice, purchase and enjoyment of chosen garments. As if it were a proscenium and stage, both merge into a single continuous space, wrapped under the sinuous texture of theatrical clothing, where the client takes on the role of protagonist of an act that transcends mere purchase, sublimating the process that precedes the enjoyment of dress.

Hanging as part of the stage, with mechanisms typical of a fly-system, the garments are displayed, which form the changing scenery, allowing an arbitrary footpath, which brings us closer to a detailed observation of the dress; establishing a closer relationship with the displayed pieces.

The "possibility" of space use is expanded by removing all the mechanisms that allow the display of the dresses. You then get an absolute perception of the architectural field, appreciating the character of the atmosphere of the place, exacerbating the sensory experience, and the continuity of the framework that now continues on the floor plane. As a backdrop, an end wall of absolute black unto which a diverse virtual reality is projected, a continuation of the world of illusion that precedes it. 

White enamel iron profiles makeup the140 framesthat oneby oneformalize a windingcontainer, in anact ofdematerialization, of lossof physicalattributes, which contributesto exalt the displayed. White ceramic andblack porcelain alternate on the floorin asingle plane, inclear continuityand representationof thefill andvoid thatthe otherthree planesbuild. In highlightingthe exhibited,the whitefluorescence illumination